MOREE musician Shaun Mills has applauded a package of grants offered by the NSW Government to help foster growth and job opportunities in the music industry.
Funding worth $9.3 million will support bands on national and international tours, as well as help with studio recording, promotion and industry development.
Mills, lead singer with Moree indie rock group Kicked-In Bickie Tin, said government funding is crucial to help keep the Australian music industry alive, especially in regional New South Wales.
“Being based in Moree, we’re around 500 kilometres from most major music venues, so travel costs alone can be a massive barrier,” Mills said.
“On top of that, recording and releasing music is expensive. Studio time, mixing, mastering and distribution all adds up quickly.
“For an independent band, it can be tough without outside support. Grants, regional music programs, and funded events can make a huge difference in helping bands like Kicked-In Bickie Tin get our music out there and reach new audiences.
“Funding like this gives country- and rural-based artists a fair shot, and keeps the music scene diverse and thriving,” he said.
Mills, Zach Hauser and John Fing – Kicked-In Bickie Tin – released their debut single, Floor, in 2022.
A steady stream of singles through 2023, followed by Deep End this year, has announced Kicked-In Bickie Tin’s arrival on the Australian music scene.
Mills said being part of that scene, especially in regional areas like Moree, means everything.
“It’s not just about playing gigs; it’s about being part of a community that genuinely supports each other,” Mills said.
“Since playing with Kicked-In Bickie Tin, we’ve had such a warm welcome from booking agents, other bands, and crowds who are always keen to give new acts a go.
“It’s amazing how willing people are to help, whether it’s by lending gear, passing on opportunities, or just turning up and having a good time,” he said.
“Being in the scene has opened so many doors and given us the chance to grow as a band.
“We’ve met some great people, played some unreal shows, learned a lot along the way, and there’s a shared passion that runs through it all.
“Everyone wants to see live music thrive, and that energy keeps us motivated. It’s more than just a hobby; it’s something that gives you purpose, connection, and a real buzz every time you get on stage,” he said.
The latest round of government funding and grants is designed boost an industry facing significant challenges, including unpredictable ticket sales, a retraction in music festivals, and competition from international artists on streaming services.
The 2024-2025 Sound NSW grants includes two new funds specifically designed to boost First Nations artists, and a new industry development fund that backs organisations crucial to building skills, networks and new collaborations.
There is also a significant support for regional music with 29 per cent of the Contemporary Music Development Grants and 30 per cent of the Touring and Travel Fund going to regional recipients.
The funding is spread across three key programs.
Minister for Music and the Night-Time Economy, John Graham said this type of funding can’t be overstated.
“If we don’t support our local artists, they will struggle to survive the onslaught of American music on the streaming platforms,” Mr Graham said.
“If we want to keep our home-grown sound and have music reflects who we are, we have to back our artists to make music and take it on the road, not just here but overseas where they can find new audiences.
“After some challenging years, we’re working to build the New South Wales music industry one band, one venue, one tour at a time.
“This year’s grants put particular focus on First Nations music, regional artists and some of the crucial organisations that foster talent and industry development.
“For this industry to grow, we have to support the ecosystem and that’s what these grants do,” he said.
Head of Sound NSW, Emily Collins said New South Wales is “absolutely brimming with talent”.
“These targeted funding initiatives focus on enabling the artists and music industry organisations to innovate, develop and create,” she said.
“From regional tours and international collaborations to strategic initiatives that will drive change, these programs are an investment in the sustainability and long-term success of NSW music.
“The funding outcomes show the depth and breadth of the state’s creative potential – we’re seeing powerful new voices, bold ideas and collaborative projects come to life thanks to this funding.
“Sound NSW is proud to support projects that aren’t just about performance, but about self-determination and storytelling, and growing the next generation of artists and leaders,” she said.
